“Seyd, who’s penetrating productions of Pygmalion and David Mamet’s Oleanna were high points of ACT’s las season, zeros in on the interplay of plots and passions in what is practically a chamber Othello. His pacing is so sharp and psychological interactions so tightly wound that the 95 minutes before the first intermission seem to fly by in a cascade of mounting tensions.”

Robert Hurwitt
San Francisco Examiner